Farewell To A Legend
- wattstowersartscntr
- Apr 3, 2025
- 1 min read
Alonzo Davis, a pioneering African American artist and cultural leader, has passed away, leaving behind a legacy of advocacy, creativity, and community-building that uplifted generations of Black artists.
As co-founder of the Brockman Gallery in Leimert Park alongside his brother Dale Brockman Davis, Alonzo played a critical role in creating space for Black artists at a time when such opportunities were rare. The gallery became a vital platform for iconic figures like Betye Saar, David Hammons, and John Outterbridge, serving not just as an exhibition space but as a cultural movement in itself. Alonzo’s own artwork drew on African influences, blending vibrant colors, bold patterns, and spiritual symbolism to explore themes of diaspora, identity, and resilience.
At the Watts Towers Arts Center, Alonzo Davis’ impact is deeply felt. He, John Outterbridge, Greg Bryant, and Horace Tapscott were instrumental in shaping the artistic and cultural programming at the center, including the establishment of the beloved annual jazz festival that continues to bring the community together. His commitment to arts education and community empowerment was unwavering, and his presence elevated every space he touched. Alonzo Davis was more than an artist. He was a visionary who helped carve out a path for others to follow, and his legacy will resonate for years to come.
He will be greatly missed.
The Brockman Gallery's role in Leimert Park is one that doesn't get enough recognition outside of LA art history circles — creating that kind of institutional space for Black artists in the early 1970s shaped the cultural fabric of South LA in ways that are still felt today. The connection to Horace Tapscott is particularly significant given how much his work with the Pan Afrikan Peoples Arkestra documented a strain of LA jazz that producers have been returning to for decades. For anyone in the music community looking for original recordings from that tradition, free music samples from that era of LA jazz are available through Tracklib with clearance already handled. A real loss for the arts community.
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